B. A. III_Optional English_Sub_Introduction to Literary Criticism & Terms_V-Semester_Dr.B.A.M.U.Aurangabad_MCQs_For_Practice

 

S.S.P.M’s

Adarsh Mahavidyalaya, Omerga

Tq. Omerga, Dist. Osmanabad, MS

B. A. III (Optional English)

(Introduction to Literary Criticism & Terms)

Paper- X – V Semester

(Multiple Choice Questions & Answers)

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Q.1. The most important element of a tragedy, in Aristotle’s view, is

 A      Plot.

 B      Spectacle.

 C      Historical accuracy.

 D      Character.

Q.2. Number of poems in Sidney’s Sonnet sequence Astrophil and Stella are:

 A      99     

 B      47

 C      112

 D      108

Q.3. ___________talks about the term ‘Flat and Round Character’

 A      E. M. Forster

 B      P. B. Shelly

 C      Sir Philip Sidney

 D      T. S. Eliot

Q.4. Plato confused the study of art with the study of____________

 A      Poetry

 B      Prose

 C      Moral

 D      Tragedy

Q.5. The Defence of Poesie/Poetrie was published in_________

 A      1593 

 B      1594

 C      1595

 D      1596

Q.6. The Character that has complications, flexibility and it does not stick up with his temperament presented initially and keep changing it by surprising the readers is known as _____

 A      Round

 B      Flat

 C      Both

 D      None of the above

Q.7. Aristotle borrows the term Mimesis from____________

 A      Plato

 B      Aristotle

 C      Horace.

 D      Quantilian.

Q.8. An Apology of Poetry’s first section deals with______

 A      Language

 B      Poetry

 C      Essay

 D      Conventional Poetry

Q.9.No Second Troy by W. B. Yeats is an example of___________

A       Allegory

 B      Satire

 C      Irony

 D      Myth

Q.10. ForAristotle________is the soul of tragedy

A       Plot.

 B      Spectacle.

 C      Historical accuracy.

 D      Character.

Q.11. Sidney adopts the_________classification of Poetry

 A      Traditional

 B      Modern

 C      Classical

 D      Romantic

Q.12. To imitate mockingly or humorously at a subject or matter is the function of______________

A       Irony

 B      Myth

 C      Bathos

 D      Burlesque

Q.13. The unique function of tragedy, according to Aristotle, is

 A      To give us pleasure.

 B      To arouse fear and pity.

 C      To make us better people.

 D      All of the above.

Q.14. Which two writers have written essays on the Defence of Poetry?

 A      Sir Philip Sidney & P. B. Shelly

 B      Sir Philip Sidney & William Wordsworth

 C      Sir Philip Sidney & John Keats

 D      None of the above.

Q.15. The word ‘Allegory’ came from the_____ word ‘Allegoria’

 A      Latin

 B      German

 C      Spanish

 D      Latin

Q.16. Who first gave certain purely aesthetic Principles?

 A      Plato

 B      Aristotle

 C      Horace.

 D      Quantilian.

Q.17. Sir Philip Sidney wrote An Apology for Poetry in immediate response to _____

 A      Plato’s Republic 

 B      Aristotle’s Poetics

 C      Stephen Gosson’s The Second Abuse

 D      Jeremy Collier’s Immortality and Profaneness of the English

Stage

Q.18. ______ is a kind of figure of speech which describes the abstract ideas through characters, images, events, symbolically

 A      Irony

 B      Allegory

 C      Myth

 D      Genre

Q.19. Aristotle’s Poetics is a short treatise of_______Chapters.

 A      25

 B      26

 C      27

 D      28

Q.20. Sir Philip Sindey was born on_________

 A      30th November 1554    

 B      30th December 1554

 C      30th January 1555

 D      30th February 1555

Q.21. E. M. Forster’s Aspects of Novels published in_____

 A      1924

 B      1925

 C      1926

 D      1927

Q.22. Aristotle’s Poetics is considered to be an answer to____________

 A      Plato

 B      Aristotle

 C      Horace.

 D      Quantilian.

Q.23. The Defence of Poesie/Poetrie contains the most definite and vigorous statement of Sidney’s_________

 A      Modernism

 B      Classicism

 C      Post-modernism

 D      Realism

Q.24. The character that remains flat in throughout the course of work and does not change or create any kind of complication is known as _____

 A      Flat

 B      Round

 C      Both

 D      None of the above

Q.25. Aristotle calls the poet____________

 A      Motivator

 B      Imitator

 C      Creator

 D      Teacher

Q.26. The Defence of Poesie/Poetrie contains the most definite and vigorous statement of Sidney’s_________

 A      Modernism

 B      Classicism

 C      Post-modernism

 D      Realism

Q.27.________is a subtly humourous perception of inconsistency, in which an apparently straightforward statement of event is undermined by its context so as to give it a very different significance.

A       Myth

 B      Satire

 C      Irony

 D      Symbol

Q.28. According to Aristotle, the tragedy has______constitute parts

 A      2

 B      4

 C      6

 D      8

Q.29. An Apology is a ______Criticism

 A      Psychological

 B      Judicial

 C      Classical

 D      Modern

Q.30. _________ term is more applied to graphic representation than literary ones

A       Imagery

 B      Caricature

 C      Burlesque

 D      Bathos

Q.31. ________is the turning point of incidents

A       Peripety

 B      Discovery

 C      Denouement

 D      Catastrophe

Q.32. Sidney visualizes an ideal and______world

 A      Monotones

 B      Perfect

 C      Tedious

 D      Beautiful

Q.33. The poet is known not by his______

 A      Versing

 B      Rhyming

 C      Name

 D      Versing and Rhyming

Q.34. Poetry is classified into______kinds

 A      One

 B      Two

 C      Three

 D      Four

Q.35.________is a well-known story which was made up in the past to explain natural events or to justify religious beliefs or social customs.

A       Myth

 B      Satire

 C      Irony

 D      Symbol

Q.36. Aristotle divides plot into________types

A       2

 B      3

 C      4

 D      5

                                *Answer Key*

Q.1.            A

Q.2.            D

Q.3.            A

Q.4.            C               

Q.5.            C

Q.6.            A

Q.7.            A

Q.8.            D

Q.9.            D      

Q.10.          A

Q.11.          A

Q.12.          D

Q.13.          B

Q.14.          A

Q.15.          D

Q.16.          B

Q.17.          C

Q.18.          B

Q.19.          B

Q.20.          A      

Q.21.          B

Q.22.          A

Q.23.          B

Q.24.          A

Q.25.          B      

Q.26.          B

Q.27.          C

Q.28.          C

Q.29.          B

Q.30.          B

Q.31.          A

Q.32.          B

Q.33.          D

Q.34.          C

Q.35.          A

Q.36.          B

 

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